Solo Exhibitions and Curated Projects

2017 – “Hydor 2.0” site specific installation at Orpheus Institute, Ghent Belgium 20-22 November.

2016 – “Spatial Sea – Χωρικά Ύδατα” intervention in situ at St. George Gate, Heraklion Greece.

2015 – “Beyond the Physical Threshold” retrospective exhibition at Herbert Read Gallery Canterbury Kent.

2014 – “Cryptopology” intervention at The Crypt Gallery, St. Pancras Church, London.

2013 – “Hydor” site specific installation at Canterbury Cathedral, Kent UK.

Group Exhibitions

2018 – “SURFACES: SPACES, PLACES”, Art and Architecture Festival, Palazzo Ca’ Zanardi, Venice.

2017 – ‘Monitor Fest’ Festival of Contemporary Art, Heraklion Crete.

2015 – “When Cinderella Met Mr. Freud” , MORPHES Art Gallery, Chania.

2013 – “Time-space-place”, David Hockney Gallery 2013, Farnham.

2012 – “Process-Perception-Phenomena” The Herbert Read Gallery Canterbury.

2011 – Edolon II– Art Residency Permanent Collections I, Museum for Contemporary Art, Olivepress Dromonero Crete.

2010 – SHOW” Group Show Hazlitt Arts Centre, Maidstone Kent

2010 – “Art and Architecture” Group Show at ARTOWER Gallery, Athens

Scholarly Presentations and Public Talks

February 2020 – “Urban Sensoma: Redefining Affect in Public Spatial Practice” presentation at Culture in Urban Space, Urban Form, Cultural Landscapes, Life in the City Island Dynamics International Conference, Macau Sweden.

May 2019 – “Sentio ergo sum vivus: aesthetic comma, the architectural cyborg and Descartes’s errors after Deleuze and Democritus” round-table contribution at Architectures of Life and Death, 8th Annual Deleuze Conference Delft University of Technology. Delft The Netherlands.

April 2019 – “Sensoma: Redefining Common Sense in Public Spatial Practice” presentation at The Street and the City: Encounters International Conference, Alameda da Universidade School of Arts and Humanities. Lisbon Portugal.

October 2018 – “Making Architecture | Making Architects” Keynote/ Public Lecture at RIBA Suffolk Autumn Exhibition opening. University of Suffolk, Ipswich UK.

April 2018 – “Atmospheres of Fabulation: Mythopoesis and Chronotopos in post-truth era”, presentation at Experiencing Architecture: Inviting Dialogue Symposium. Royal Academy of Arts. London UK.

April 2018 – “Fabulation + Mythopoesis in post-truth era” presentation at Moving Images – Static Spaces: Architectures, Art, Media, Film, Digital Art and Design, Amps Conference. Altinbaş University. Istanbul Turkey.

November 2017 – “Artistic spatiotemporal experiences after Gilles Deleuze, Alain Badiou, and Brian Massumi; a theory of becoming”, presentation at DARE 2017 Aberrant Nuptials Conference on Deleuze and Artistic Research, Orpheus Institute. Ghent, Belgium.

March 2016 – “Interdisciplinary Research Methods on Architectural Space after Brian Massumi”, public lecture at the National Technical University of Athens School of Architecture. Athens Greece.

November 2016 – “Art Kissing Architecture: A Spatial Debate”, invitational presentation at the A for Architecture open lecture series, University of Salford Intl. School of the Built Environment. Manchester UK.

Recent Publications

2019 – “Artistic spatiotemporal experiences after Gilles Deleuze, Alain Badiou, and Brian Massumi; a theory of becoming” in Aberrant Nuptials: Deleuze and Artistic Research 2. Leuven University Press. pp 317-324

2018 – “The Fourth Dog Perspective: Sensorial Experience in Spatial Practice” in On Time: A Spill Reader. Ipswich: Pacitti Company. pp 68-79

2018 – “Chorotopical Art: Mediating the Atmospheres of Cultural Sites to Create a New Spatial Logic” in Whatley, S. et al Digital Echoes: Spaces for Intangible and Performance Based Cultural Heritage, Cham: Palgrave Macmillan, Springer Nature. pp. 107-124

2016 –“Transforming fortresses into artworks: two cultural sites become spaces of topological immersion”, in Defense Sites III: Heritage and Future WIT Transactions on The Built Environment, Vol 158. 2016 pp. 117-126

2016 –“A Theory on the Ontology of Site-Reliant Immersive Environments”, essay in the International Journal of Arts Theory and History 11 (3) 2016 GG Publishing

2014 –“Conjunctive Synthesis As An Interdisciplinary Pedagogical Method For Art And Design – A Cube”, essay in the International Journal of Arts and Sciences 7 (3) December 2014.

2013 –“Towards Genomenology: The Lived Experience as an Input – Output Spatiotemporal Event”, chapter in New Spatial Approaches, New Techniques and Theory in Contemporary Arts, Istanbul: DAKAM.