BOOKS
Psarologaki, L. (2025) Site-Reliant Immersive Experiences: Sensing Affective Spaces in Art and Architecture. London: Bloomsbury.
Psarologaki, L. (2022) Cultures of Erudition and Desire in University Pedagogy; Thoughts on Practice-led Curricula Before, Through and Beyond Deleuze. London: Routledge.
Exhibitions and Curated Projects
2025 – “Folding Stars” immersive origami installation, BNU Research and Knowledge Exchange Conference 2025, High Wycombe.
2025 – “MURMURATIONS: WORDS FROM WITHIN”, spoken prose and poetry installation at Clinical Research Facility Warneford Hospital Oxford 20 May 2025 (with Amanda Hodgkinson).
2023 – MFI interactive exhibition, Mapping Future Imaginaries. https://mappingfutureimaginaries.com/mapping-future-imaginaries-an-exhibition/
2022 – “The Map Is But the Place” drawing series in Every Time We Say Goodbye, The Project Gallery, Athens Greece. 12-27 May 2022 (by invitation).
2022 – “Spring Cleaning” site-specific installation of poetry and sound with award winning novelist Amanda Hodgkinson for Plas Bodfa Continuum, Anglesey. 9 – 24 April 2022. https://www.plasbodfa.com/bodfa-continuum-works/springcleaning-amanda-hodgkinson-amp-liana-psarologaki
2021-2022 – “Metatum 2.0 – Beggar’s Velvet” interactive installation with sound at the House and Home exhibition, Suffolk Archives, Ipswich. 14 October 2021-08 January 2022.
2021 – “Green Build Feasts”, community engagement project as part of SPILL Festival of Performance and Activism: On Memory, funded by the RIBA 27-30 October 2021.
2021 – “Hydor 2.0” at Listen from the Well, Barbaros Water Culture heritage Project, Izmir, Turkey 20 October – 12 December 2021.
2018 – “SURFACES: SPACES, PLACES”, Art and Architecture Festival, Palazzo Ca’ Zanardi, Venice, Italy. 1-30 October 2018.
2017 – “Hydor 2.0” site specific installation at Orpheus Institute, Ghent Belgium 20-22 November 2017.
2017 – “Hydor 2.0” video installation in Monitor Fest’ Festival of Contemporary Art, Heraklion Greece 15-30 October 2017.
2016 – “Spatial Sea – Χωρικά Ύδατα” curated project at St. George Gate, Heraklion Greece, 11-18 July 2016.
2015 – “Beyond the Physical Threshold” doctoral thesis curated solo show, The Herbert Read Gallery, Canterbury Kent 8-16 January 2015.
2014 – “Cryptopology” curated project at The Crypt Gallery, St. Pancras Church. London, 13-26 August 2014.
2013 – “Hydor 1.0” site-specific installation at Canterbury Cathedral, 18-20 October 2013.
2011 – “Edolon” site-specific installation in Permanent Collections I, National Museum for Contemporary Art, Olivepress Dromonero Chania Greece.
Scholarly Presentations and Public Talks
September 2025 – “The Sound of Cleaning – The Humming of the Home” presentation, Sound, Space, and the Home: A Virtual Symposium. Florida State University (with Amanda Hodgkinson).
September 2025 – “The Plexus: designing and developing connective and inclusive impact-oriented networks for researchers in a post-92 university” paper presentation International Research Culture Conference (IRCC), University of Warwick, Coventry.
May 2025 – “Post-capitalist Designing [Dis]order; Dirty and Insular Archaeologies of the Future” paper presentation at International Conference on Sustainable Inside and Outside, School of Collectively Building (SOCB), Vienna, Austria.
September 2024 – “Hidden Architectures of Cleaning: A woman’s labour in the contestant site of posthuman domesticity” paper presentation at 2024 ATGENDER Conference; Gender Studies and the Precarious Labour of Making a Difference, Utrecht, Netherlands.
October 2023 – “Architectures of Cleaning: Homecoming, Domesticity and Care” paper presentation at SITUATED ECOLOGIES OF CARE Architectural Humanities Research Association (AHRA) International Conference, University of Portsmouth UK (with Amanda Hodgkinson).
July 2023 – “The Brain in Space: Neuroaesthetics and Affective Architectures” session at the 1st Summer School of Neuroanatomy, School of Medicine University of Crete, Greece.
December 2022 – “Minoanism as Post-humanism: Ariadne Becomes Aragne” paper presentation at the Theoretical Archaeology Group 43: Revolutions Conference, Edinburgh UK.
November 2022 – “Season of Cleaning” workshop in the Connective Symposium 17-19 November 2022 Fontys University of the Arts Tilburg, The Netherlands (with Amanda Hodgkinson).
June 2022 – “Spring Cleaning” presentation at Act: The RA Architecture Symposium, London Festival of Architecture, The Royal Academy of Arts, London UK (with Amanda Hodgkinson). https://www.royalacademy.org.uk/event/architecture-symposium-act
May 2022 – “Sentio Ergo Sum Vivus: Affect and Immersion, Art and Architecture Become Experience” presentation at the 2nd Neuroanatomy Conference. School of Medicine, University of Crete, Greece.
November 2021 – “Ethics and Ecology in University Education” Keynote/ Public Talk at RIBA Suffolk Design Awards opening. University of Suffolk, Ipswich UK.
July 2021 – “Arachnean Becoming Ariadnean: Networks of Mitopoesis and Minotechnesis in Posthuman Life” presentation at 13th Deleuze & Guattari Studies Camp and Conference: Territorialities, Exterritorialities, Non-Territorialities. Charles University Prague, Czech Republic.
December 2020 – “Pediagogy of Practice: Creating Pivotal Cultures for Learning Architecture” virtual presentation with Benjamin Powell at Teaching-Learning-Research: Design and Environments Architecture_MPS PARADE conference Manchester School of Architecture. Available at: https://www.youtube.com/watch?v=viXdex4hDPU.
September 2020 – Organiser and conveyor of international, one-day virtual RIBA conference The Built Environment As Sustainable Ecosystem, as part of the RIBA initiative People-Places-Planet. https://www.architecture.com/whats-on/the-built-environment-as-sustainable-ecosystem-the-suffolk-paradigm.
February 2020 – “Urban Sensoma: Redefining Affect in Public Spatial Practice” presentation at Culture in Urban Space, Urban Form, Cultural Landscapes, Life in the City Island Dynamics International Conference, Malmö Sweden.
May 2019 – “Sentio ergo sum vivus: aesthetic comma, the architectural cyborg and Descartes’s errors after Deleuze and Democritus” round-table contribution at Architectures of Life and Death, 8th Annual Deleuze Conference Delft University of Technology. Delft The Netherlands.
April 2019 – “Sensoma: Redefining Common Sense in Public Spatial Practice” presentation at The Street and the City: Encounters International Conference, Alameda da Universidade School of Arts and Humanities. Lisbon Portugal.
October 2018 – “Making Architecture | Making Architects” Keynote/ Public Lecture at RIBA Suffolk Autumn Exhibition opening. University of Suffolk, Ipswich UK.
April 2018 – “Atmospheres of Fabulation: Mythopoesis and Chronotopos in post-truth era”, presentation at Experiencing Architecture: Inviting Dialogue Symposium. Royal Academy of Arts. London UK.
April 2018 – “Fabulation + Mythopoesis in post-truth era” presentation at Moving Images – Static Spaces: Architectures, Art, Media, Film, Digital Art and Design, Amps Conference. Altinbaş University. Istanbul Turkey.
November 2017 – “Artistic spatiotemporal experiences after Gilles Deleuze, Alain Badiou, and Brian Massumi; a theory of becoming”, presentation at DARE 2017 Aberrant Nuptials Conference on Deleuze and Artistic Research, Orpheus Institute. Ghent, Belgium.
March 2016 – “Interdisciplinary Research Methods on Architectural Space after Brian Massumi”, public lecture at the National Technical University of Athens School of Architecture. Athens Greece.
November 2016 – “Art Kissing Architecture: A Spatial Debate”, invitational presentation at the A for Architecture open lecture series, University of Salford Intl. School of the Built Environment. Manchester UK.
Recent Publications
Psarologaki, L. (2026) “An Architect’s Iaido” in CONVIVIA: Splendour Journal of Architectonics, No 2 (accepted).
Psarologaki, L. and Adefila, A. (2026) “African para-ontologies of domestic cleaning; ecological and pedagogical concepts of repetition in pre-colonial rituals of care” in Footprint 38 Africa Dreams: Re-enchantment through Relational Ontologies Delft Architecture Theory Journal (accepted).
Psarologaki, L. (2025) “Spatial Sea – Χωρικά Ύδατα – the site-specific installation as contested space of politics, heritage and everyday life”. DECAEXASELIDO. THE ΤΕΛΟΣ SOCIETY. https://www.thetelossociety.com/.
Vogiatzaki, M., Spiridonidis, C.V. and Psarologaki, L. (2025) “From Xenomateriality to Xeniomaterialism: an architecture of climate responsive nature-techno-culture continuums” In Archnet-IJAR: International Journal of Architectural Research (accepted).
Psarologaki, L. (2023) “Sensing As… From Quorum Sensing to Immersion – a posthuman symptomatology” in Anthropocenes, Human, Inhuman, Posthuman, Vol 4 (1). https://www.anthropocenes.net/article/id/1408/
Psarologaki, L. (2022) “Anaesthesis, Sensoma, Veoma: architectural cyborg life modes after Deleuze and Democritus” In Concepts- A Travelogue. ed. Bernd Herzogenrath. London: Bloomsbury. 35-44. DOI: 10.5040/9781501375293.ch-1
Psarologaki, L. (2022) “Mythoplasia and Fictioning in Academic Practice: Writing; Other” in New Perspectives on Academic Writing. ed. B. Herzogenrath. London: Bloomsbury. 53-60. DOI: 10.5040/9781350231665.ch-004
Psarologaki, L. and Zografos, S. (2022) “Reclaiming the Habitat: Food, Fire and Affordance in Designing and Living the Urban” in Design Commons Practices, Processes and Crossovers ed. G. Bruyns and S. Kousoulas. DERF Springer. 207-220.
Psarologaki, L. (2020) “MAKING ARCHITECTS IN AGILE STUDIOS: A Manifesto for Situated Architectural Education” in Scroope 29, Manifesto. Cambridge Journal of Architecture. 16-31.
Psarologaki, L. (2019) “Artistic Spatiotemporal Experiences After Gilles Deleuze, Alain Badiou, and Brian Massumi; a theory of becoming” in Aberrant Nuptials: Deleuze and Artistic Research 2, ed. P. de Assis and P. Giudici. Orpheus Institute Series. Leuven University Press. 317-324.
Psarologaki, L. (2018) “The Fourth Dog Perspective: Sensorial Experience in Spatial Practice” in On Time: A Spill Reader ed. D. Damian-Martin. Ipswich: Pacitti Company. 68-79.
Psarologaki, L. (2018) “Chorotopical Art: Mediating the Atmospheres of Cultural Sites to Create a New Spatial Logic” in Digital Echoes: Spaces for Intangible and Performance-Based Cultural Heritage, eds. S. Whatley, R. Cisneros, and A. Sabiescu. Cham: Palgrave Macmillan, Springer Nature. 107-124.
Psarologaki, L. (2016) “Transforming Fortresses into Artworks: Two Cultural Sites Become Spaces of Topological Immersion” in Defence Sites III: Heritage and Future WIT Transactions on The Built Environment, Vol 158, WIT Press. 117-126.
Psarologaki, L. (2016) “A Theory on the Ontology of Site-Reliant Immersive Environments” in The International Journal of Arts Theory and History 11 (3). 1-10.
Psarologaki, L. (2014) “Conjunctive Synthesis as an Interdisciplinary Pedagogical Method for Art and Design – A Cube” in The International Journal of Arts and Sciences 7 (3). 613-624.
Psarologaki, L. (2014) “Towards Genomenology: The Lived Experience as an Input–Output Spatiotemporal Event”, New Spatial Approaches, New Techniques and Theory in Contemporary Arts, Istanbul: DAKAM; Eastern Mediterranean Research Centre. 152-162.